4/27 Snapshots I

nanda
She waited
Parked patiently on the road across from school
for the bell to ring, and the stream of eager children spilled
out of the large green front doors
I spotted her car without trying,
it was hard not to. I wasn’t sure
how to explain, or whether to do anything
but shrug as she ____ to carve enough room in her back seat
for my friend.
I sat in the front
Duct Taped windows offering a glimpse
of the true chaos—the sea of feathers—
a symphony of smells.
When she spoke she pursed her mouth
showing her deep thought. Wrinkled her brow
pushed up her glasses.

notes:
[Describe car – List poem?]
[feathers]
[pictures of hindu gods]

4/26

RAGE
Hippopotamus swimming in a still lagoon
sweetly large and curved,
hiding its rage

Solitude
An empty rowboat floating
listlessly—embedded in the glassine
surface of the lake.

History
Epstein with his hunch, hump
still full of fire
though not even 60

headline poetry experiment

Tuesday, May 2, 2006
The New York Times

Drop take rejects boycott challenge prices clash in nationalizes brings gatekeepers killed the personal new.

[Ok, maybe add punctuation? Line breaks.]

Drop,
Take rejects.
Boycott,
Challenge prices,
Clash in nationalizes,
Brings gatekeepers killed
The personal new.

[I guess i have to somehow make it mine. Not sure what to do with it now…
It was the second word from every headline on the front page of the Times, taken in strict order beginning at the top left, and moving down and to the right.
]

Bad poem from class yesterday…

Paramaters: Belly, and a yellow piece of paper->Banana (later changed to squash)

A flat belly,
an empty stomach
Dreams full of flatness
tight, sexy clothing. But,
A life without ice cream?
Not worth living!
Who wants to live
on tofu and squash
for the sake of a
flat belly.

Window Exercise 4/27

Foreground: The splash splattered sun against the hazed glass.
The screen a grid of wire, if you move close enough it dissapears.
Paint chipping, mummified insects sleeping in the eternal breeze.
The glass is streaked, layers of windows

Middle-ground: A servery worker wanders to and fro, pacing back and forth.
The grills are out and open and the cooks are joking,
There is a sad routine to it all.
Trees, and island.

Far-ground:
Mountains — a universe of ____, the rest of the world — outside the filmy shell of our bubble.

Earring Refuse

Here is all the stuff that Barbara helped me cut from my short story, preserved for posterity.

Every day Hal rode the e line home from work. He would walk the two blocks down Main Street past the bustling bistros and boutiques, down into the damp underbelly of the city. He rode the rickety. He swayed along, crossing the town line into FUCKTOWN, he always sat by a window, except when he couldn’t, when the trains. When he had to sl. . . . . . . . . . . . . . .

Continue reading “Earring Refuse”

4/19/06

Betty tried not to roll her eyes back into her skull, she didn’t want to lose her contacts. Bob was visibly touched, his bulk swayed back and forth as he led her to the couch. “Nice, isn’t it?” She nodded, and adjusted her skirt.

She couldn’t help but smile at this bear of a man, completely disarmed. “Would you like to dance?” he asked, hand extended. She wasn’t sure what to do, but the thought of disappointing him was unbearable. “Why, yes” she crooned, as ladylike as she could muster through her ____ accent.

4/4/06 Flash (Fictions)

She must have known she was tempting the woods; one more flower they’re so pretty and peaceful she thought. What did she think in those final moments? Shotgun inhand, trigger clicking back and forth as her body shook; he could taste her fear. Then he leapt and time was frozen–he hung in midair teeth bared and tongue aflap, flying into a faceful of fire and buckshot.


He dove into a molten frenzy, tearing at the earth, emitting noises known only to the servants of the Dark One himself. He had been waitlisted, he told everyone so.


“I always write from my experiences, whether I’ve had them or not.” –Ron Carlson

“Fiction writing is very seldom a matter of saying things, it is a matter of showing things.” –Flannery O’Conner


Zest is what I live for: the moments of irony, subtlety, and beauty. A tragedy is to have every jolt and spark of these moments sucked out by a noxious melancholic fog; I emerge without hope or ambition; my vision clouded, the colors of the world, muted.